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me during playoffs

  • start of game: ALRIGHT HERE WE GO BOYS HERE WE GO LET'S GET PUMPED
  • being down one goal: ok alright lets get our shit together we've got this
  • being up one goal: ok good start boys good start just one goal closer to the cup lets just keep this lead
  • being down three or more goals: OK YOU LITTLE SHITS YOU BETTER LISTEN TO ME I DEDICATED MY LIFE TO YOU FOR 7 FUCKING MONTHS YOU BETTER START PLAYING WITH SOME FUCKING ENERGY AND MAKE A PRETTY SPECTACULAR FUCKING COMEBACK
  • being up three or more goals: WE ARE THE CHAMPIONS LAWDDDD STANLEY HERE WE COME NOTHING CAN STOP US WE ARE INVINCIBLE THIS IS OUR YEAR ALL THE WAY BABY I LOVE MY TEAM YESSSS
  • in OT: *inserts breathing tube just for safety precautions*
  • getting ready for school: i've worn my jersey every day for six straight days is this sanitary probably not hashtag because its the cup
  • studying: no
  • sleeping: no
  • anything that doesn't involve hockey: no

So-called fashion experts keep asking “Would real punks want to be associated with the couture clothing at The MET Punk: Chaos to Couture exhibition?” - clearly they have no fucking idea how expensive it was to shop at SEX and Seditionaries in the 1970’s! What Vivienne Westwood was creating in the 1970’s was a diluted form of couture clothing.

Regardless of the myth peddled by the media, Vivienne Westwood & Malcolm McLaren were NOT creating cheap clothing for working class people. If Seditionaries existed today it would be no different, pricewise, than shopping in PRADA. That’s why so many people stole the clothes - they didn’t have a hope in hell of being able to afford them.

The SEX PISTOLS were wearing very expensive clothing - they were not wearing cheap tat. It was 1970’s PUNK COUTURE.

– Twitter: PunkPistol@Punk_Pistol (via punkpistol-seditionaries)

(Source: SEDITIONARIES.com, via punkpistol-seditionaries)

this is pretty much how I describe the vibe of treats to people

this is pretty much how I describe the vibe of treats to people

(Source: nuclearbummer, via ocmafia)

 


PLAYER 3 HAS JOINED THE GAME

DYNAMIC ENTRY.

 

PLAYER 3 HAS JOINED THE GAME

DYNAMIC ENTRY.

(Source: captaincrobat, via franktwitchy)

curlyfries-onionrings:

From left to right of this beautiful picture:Pavel Bure, Wayne Gretzky, Paul Kariya, Jaromir Jagr, Mario Lemieux, Eric Lindros, and Gordie Howe

curlyfries-onionrings:

From left to right of this beautiful picture:

Pavel Bure, Wayne Gretzky, Paul Kariya, Jaromir Jagr, Mario Lemieux, Eric Lindros, and Gordie Howe

(via bobbyryan)

me during playoffs

  • start of game: ALRIGHT HERE WE GO BOYS HERE WE GO LET'S GET PUMPED
  • being down one goal: ok alright lets get our shit together we've got this
  • being up one goal: ok good start boys good start just one goal closer to the cup lets just keep this lead
  • being down three or more goals: OK YOU LITTLE SHITS YOU BETTER LISTEN TO ME I DEDICATED MY LIFE TO YOU FOR 7 FUCKING MONTHS YOU BETTER START PLAYING WITH SOME FUCKING ENERGY AND MAKE A PRETTY SPECTACULAR FUCKING COMEBACK
  • being up three or more goals: WE ARE THE CHAMPIONS LAWDDDD STANLEY HERE WE COME NOTHING CAN STOP US WE ARE INVINCIBLE THIS IS OUR YEAR ALL THE WAY BABY I LOVE MY TEAM YESSSS
  • in OT: *inserts breathing tube just for safety precautions*
  • getting ready for school: i've worn my jersey every day for six straight days is this sanitary probably not hashtag because its the cup
  • studying: no
  • sleeping: no
  • anything that doesn't involve hockey: no

So-called fashion experts keep asking “Would real punks want to be associated with the couture clothing at The MET Punk: Chaos to Couture exhibition?” - clearly they have no fucking idea how expensive it was to shop at SEX and Seditionaries in the 1970’s! What Vivienne Westwood was creating in the 1970’s was a diluted form of couture clothing.

Regardless of the myth peddled by the media, Vivienne Westwood & Malcolm McLaren were NOT creating cheap clothing for working class people. If Seditionaries existed today it would be no different, pricewise, than shopping in PRADA. That’s why so many people stole the clothes - they didn’t have a hope in hell of being able to afford them.

The SEX PISTOLS were wearing very expensive clothing - they were not wearing cheap tat. It was 1970’s PUNK COUTURE.

– Twitter: PunkPistol@Punk_Pistol (via punkpistol-seditionaries)

(Source: SEDITIONARIES.com, via punkpistol-seditionaries)

this is pretty much how I describe the vibe of treats to people

this is pretty much how I describe the vibe of treats to people

(Source: nuclearbummer, via ocmafia)

 


PLAYER 3 HAS JOINED THE GAME

DYNAMIC ENTRY.

 

PLAYER 3 HAS JOINED THE GAME

DYNAMIC ENTRY.

(Source: captaincrobat, via franktwitchy)

curlyfries-onionrings:

From left to right of this beautiful picture:Pavel Bure, Wayne Gretzky, Paul Kariya, Jaromir Jagr, Mario Lemieux, Eric Lindros, and Gordie Howe

curlyfries-onionrings:

From left to right of this beautiful picture:

Pavel Bure, Wayne Gretzky, Paul Kariya, Jaromir Jagr, Mario Lemieux, Eric Lindros, and Gordie Howe

(via bobbyryan)

me during playoffs
"

So-called fashion experts keep asking “Would real punks want to be associated with the couture clothing at The MET Punk: Chaos to Couture exhibition?” - clearly they have no fucking idea how expensive it was to shop at SEX and Seditionaries in the 1970’s! What Vivienne Westwood was creating in the 1970’s was a diluted form of couture clothing.

Regardless of the myth peddled by the media, Vivienne Westwood & Malcolm McLaren were NOT creating cheap clothing for working class people. If Seditionaries existed today it would be no different, pricewise, than shopping in PRADA. That’s why so many people stole the clothes - they didn’t have a hope in hell of being able to afford them.

The SEX PISTOLS were wearing very expensive clothing - they were not wearing cheap tat. It was 1970’s PUNK COUTURE.

"

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